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      <image:title>Ancient Women - Persephone</image:title>
      <image:caption>Photo by Daniela Rivera (www.rivera-antara.com)</image:caption>
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    <changefreq>monthly</changefreq>
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  </url>
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  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-01-06</lastmod>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-1-summary</loc>
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    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
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      <image:title>The Iliad - Book 1: Achilles Gets Mad Because Agamemnon is a Child - Thumbnail Image: https://www.metmuseum.org/art/collection/search/257807</image:title>
      <image:caption>Terracotta stamnos (jar). Attributed to the Painter of London B 343 late 6th century BCE. (On view at The Met Fifth Avenue in Gallery 154) Obverse, chariot setting out Reverse, five hoplites (foot soldiers) ”Representations of Attic symposia (drinking parties) occasionally include stamnoi, indicating that they contained wine; they typically had lids. The decoration here juxtaposes aspects of heroic and contemporary warfare. The chariot evokes a bygone era described in Homer's epics of the Trojan War. The two figures in Scythian dress and the footsoldiers on both sides represent contemporary warriors. The painter was particularly inventive with the shield devices.” (copied from the Met Museum website).</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/ef2e10ef-74a1-4cd1-afb3-6c1d03cc484d/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 2: The Longest List of Names You’ll Ever Read - Thumbnail Image: https://www.metmuseum.org/art/collection/search/241307</image:title>
      <image:caption>Terracotta model of a ship. Cypriot ca. 600–480 BCE *Not on view at the MET. “The model depicts, in considerable detail, the features of a contemporary vessel. It includes the helmsman sitting in the bow. All of the preserved ship models come from Amathus, indicating the importance of the site as a maritime center.” (Copied from the Met Museum website).</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/8cec5117-397b-473c-be20-90d41d5771bd/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 3: Paris Runs Away In Battle, Aphrodite Makes Helen Hang Out With Him - Thumbnail: https://www.metmuseum.org/art/collection/search/255341</image:title>
      <image:caption>Terracotta oon (egg). Attributed to the Washing Painter ca. 420–410 BCE. On view at The Met Fifth Avenue in Gallery 159 Youth abducting woman ”Eggs are well attested as funerary offerings—real eggs, artistic counterparts in marble and terracotta or, as here, diminutive vases of egg shape. This example was found with another, now in Athens, and both originally had lids. The abduction scene has been interpreted as depicting Paris and Helen. The shape is particularly pertinent to the subject because Helen was hatched from an egg.” (Copied from the Met Museum website).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-4-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/8c725cea-c14c-4f8f-bbad-3634fcd3bf52/as.jpeg</image:loc>
      <image:title>The Iliad - Book 4: Zeus Causes the Trojans To Break the Truce BeCause Hera Said So - Thumbnail image: https://www.metmuseum.org/art/collection/search/248593</image:title>
      <image:caption>Fragment of a terracotta skyphos (deep drinking cup) Attributed to the Palermo Painter ca. 430–400 BCE. On view at The Met Fifth Avenue in Gallery 161 Enthroned Zeus ”The Palermo Painter was a follower of the Amykos Painter but shows a much greater interest in detail and texture. The king of the gods sits on a throne whose armrest is embellished with a lion and a small face. He holds a scepter surmounted by a bird. Eros, god of love, hovers with a wreath and looks back at a figure who may be the seated Hera, Zeus's wife.” (Copied from the Met Museum website).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-5-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/a52061be-6b83-465d-9f1d-79782511634d/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 5: Diomedes Being A Badass - Thumbnail Image: https://www.metmuseum.org/art/collection/search/248593</image:title>
      <image:caption>Marble head and torso of Athena. Roman 1st–2nd century CE. On view at The Met Fifth Avenue in Gallery 159 “The goddess Athena is rendered as a beautiful young woman. The lining of her helmet—which was pushed up on the top of her head—appears above her hair. The protective aegis (goatskin) with the Gorgon's head in the center is reduced to a kind of collar that permits the torso and garment to be articulated. The original Greek work was probably executed in bronze.” (Copied from the Met Museum website).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-6-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-7-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-8-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/515974f1-278d-4303-86d8-adfe6e5460c1/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 8: More fighting - but this time the Trojan’s come out on top - Thumbnail Image: https://www.metmuseum.org/art/collection/search/251485</image:title>
      <image:caption>Marble head and torso of Athena. Roman 1st–2nd century CE On view at The Met Fifth Avenue in Gallery 159 “The goddess Athena is rendered as a beautiful young woman. The lining of her helmet—which was pushed up on the top of her head—appears above her hair. The protective aegis (goatskin) with the Gorgon's head in the center is reduced to a kind of collar that permits the torso and garment to be articulated. The original Greek work was probably executed in bronze.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-9-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-10-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-11-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/8830af01-2c30-464c-b329-33589d09bf83/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 11: Lots more killing sprees, the Trojans come out on top (again) - Thumbnail Image: https://www.metmuseum.org/art/collection/search/250546</image:title>
      <image:caption>Terracotta amphora (jar) Attributed to the Swing Painter ca. 540–530 BCE. On view at The Met Fifth Avenue in Gallery 154 Obverse and reverse, warrior departing in quadriga (4-horse chariot) ”A soldier bidding farewell to his parents was a popular subject in vase-paintings. Here he has mounted a chariot drawn by four horses; and his charioteer, dressed in a long white and red chiton, prepares to drive him to the battlefield. The great warriors of Homer's Iliad were conducted to and from combat in this way.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-12-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/2249d4e9-3a98-4d84-8d17-c7d74d45ab32/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 12: The Trojans attack the greeks at the walls - Thumbnail Image: https://www.metmuseum.org/art/collection/search/251473</image:title>
      <image:caption>Marble relief fragment with scenes from the Trojan War Roman 1st half of 1st century CE On view at The Met Fifth Avenue in Gallery 171 “The tabulae iliacae are a series of tablets covered with minuscule relief scenes from the Trojan War, which were evidently inspired by illustrated manuscripts of Homer's epic poem The Iliad. This piece is signed on the back by a Greek artist named Theodoros, to whose workshop all of the surviving examples can be ascribed. He was probably active in Italy, and the tablets show that Homer was as popular with Romans as with Greeks, despite the fact that Virgil's Aeneid, designed to rival the Homeric poems and published by 19 B.C., quickly became the classic work of Latin epic.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-13-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/20d46cd5-e8f2-405c-b83d-5874d46c9a18/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 13: Little Ajax and Idomeneus get a moment to shine in battle - Thumbnail Image: https://www.metmuseum.org/art/collection/search/255939</image:title>
      <image:caption>Terracotta kylix (drinking cup). Attributed to the Amasis Painter ca. 540 BCE. On view at The Met Fifth Avenue in Gallery 154 “Obverse, Poseidon, the god of the seas, among Greek warriors Reverse, the stables of Poseidon. The subjects are drawn from book 13 of Homer's Iliad. Poseidon, seeing the Greeks hard-pressed, decided to help renew their valor. At his underwater palace, he ordered his chariot prepared so that he could ride to their aid. On one side of this cup, an atmosphere of feverish excitement reigns in the stables as grooms attempt to soothe four high-strung horses tethered to columns. Supernatural forces seem to have been unleashed: tiny figures race over the horses' backs and swing down from the architectural frieze above. On the other side of the cup, Poseidon, carrying a trident, urges on the Greek heroes.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-14-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-15-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-16-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/88d15f1d-cbe5-4722-9992-7a7e8c47dc6b/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 16: Patroclus being a badass, but then is killed. - Thumbnail Image: https://www.metmuseum.org/art/collection/search/254883</image:title>
      <image:caption>Terracotta neck-amphora (jar) Attributed to the Diosphos Painter. ca. 500 BCE On view at The Met Fifth Avenue in Gallery 154 Obverse, Thanatos (Death) and Hypnos (Sleep) with the body of Sarpedon Reverse, Eos (Dawn) with the body of her son, Memnon ”The scenes on this jar show two great heroes of the Trojan War being lifted from the battlefield after their deaths. Sarpedon, a son of the god Zeus, will be carried to Lycia, his homeland in southern Asia Minor, and Memnon, to his kingdom in Ethiopia.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-17-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-18-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/4c34db33-abb0-4491-b398-a2075c20eda6/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 18: Thetis, Achilles and New Armour - Thumbnail Image: https://www.metmuseum.org/art/collection/search/254476</image:title>
      <image:caption>Fragment of a terracotta relief Greek, Attic ca. 600 BCE On view at The Met Fifth Avenue in Gallery 152 “Fragmentary relief depicting Achilles with a shield and spear, standing over a fallen figure (only partially extant). Inscribed upper right corner.The name Achilles and that of a fallen Amazon (Airia?) are inscribed on this relief.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-19-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-20-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-21-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-22-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/book-23-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/705319bc-187a-4dd8-817b-7fd9722eeb20/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 23: Funeral Games for Patroclus - Thumbnail Image: https://www.metmuseum.org/art/collection/search/254801</image:title>
      <image:caption>Terracotta funerary plaque Greek, Attic ca. 520–510 BCE On view at The Met Fifth Avenue in Gallery 154 Prothesis (laying out of the dead); below, chariot race ”In the latter sixth century B.C., the elaborate series of funerary plaques set into the walls of rectangular tombs were replaced by single plaques with holes for attachment. The chariot race, a recurring theme in Attic funerary art, may evoke the funeral games held in honor of legendary heroes, such as those in book 23 of the Iliad, when Achilles honored his deceased friend Patroklos.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
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    <changefreq>monthly</changefreq>
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    <lastmod>2024-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/144bf545-d626-4cbc-9785-862c0395a675/main-image.jpeg</image:loc>
      <image:title>The Iliad - Book 24: Priam Goes To Get Hector’s Body Back - Thumbnail Image: https://www.metmuseum.org/art/collection/search/247265</image:title>
      <image:caption>Terracotta amphora (jar) Attributed to the Nikoxenos Painter ca. 500 BCE On view at The Met Fifth Avenue in Gallery 171 Obverse and reverse, the death of Priam ”Priam, king of Troy, has taken refuge at the altar of Zeus Herkeios. The Greek warrior Neoptolemos attacks with a spear from the left as Hecuba, Priam's wife, gesticulates in despair. The Nikoxenos Painter worked in both black-figure and red-figure. It is interesting that while he employed red-figure for the decoration, the type of amphora is that preferred by black-figure artists.” (Copied from the Met Museum website).</image:caption>
    </image:image>
  </url>
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    <loc>https://www.moaninc.co.uk/homers-iliad/tag/aphrodite</loc>
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    <changefreq>monthly</changefreq>
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    <loc>https://www.moaninc.co.uk/homers-iliad/tag/zeus</loc>
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  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/book+20+summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
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    <loc>https://www.moaninc.co.uk/homers-iliad/tag/iliad+book+22+summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/the+trojan+war+explained</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/book+4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/athena</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/the+iliad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/Iliad+book+11+summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/book+9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/priam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/Iliad+book+15+summary</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/dolon</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/thetis</loc>
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  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/iliad+summary+book+23</loc>
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  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/the+trojan+war+greek+mythology</loc>
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  <url>
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  </url>
  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/the+Iliad+synopsis</loc>
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  </url>
  <url>
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  <url>
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  <url>
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  <url>
    <loc>https://www.moaninc.co.uk/homers-iliad/tag/Iliad+book+15</loc>
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  <url>
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  <url>
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  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-09</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/agamemnon-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/488e9ac5-9ecf-4b8e-a08d-d49cc59c6c92/main-image.jpeg</image:loc>
      <image:title>Plays of Aeschylus - Agamemnon Summary - Image Link: https://www.metmuseum.org/art/collection/search/252961</image:title>
      <image:caption>Terracotta lekythos (oil flask) Greek, Attic. Late 4th century BCE On view at The Met Fifth Avenue in Gallery 171 ”Telephos, king of Mysia, was wounded by the Greek hero Achilles during the Greeks' first offensive against Troy. The Delphic oracle told Telephos that he could be healed only by the offending weapon. In an attempt to secure Achilles' help, he sought out Orestes, the young son of Agamemnon, and threatened to kill him. Achilles finally heeded Telephos' entreaties and furnished scrapings of his spear that healed the festering wound. The story of Telephos was the subject of a play by Euripides performed in 438 B.C. This lekythos is one of several vases inspired by the drama. Here Clytemnestra pleads for her child. This vase is as noteworthy for the rare scene as for the rendering in low relief.” (Copied from the Met Museum Website).</image:caption>
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  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/libation-bearers-summary</loc>
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    <priority>0.5</priority>
    <lastmod>2024-01-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/14e9d4fa-e2c7-46a3-b5a7-7a08d9db0580/main-image.jpeg</image:loc>
      <image:title>Plays of Aeschylus - Libation Bearers Summary - Image Link: https://www.metmuseum.org/art/collection/search/249261</image:title>
      <image:caption>Roman 1st century BCE–3rd century CE On view at The Met Fifth Avenue in Gallery 171 ”The scene may represent the return of Orestes, in which case the seated youth would be Orestes, the other Pylades, the women Elektra and the nurse, or perhaps Clytemnestra and Elektra.” (Copied from the Met Museum Website).</image:caption>
    </image:image>
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    <lastmod>2024-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/c4a28ef3-edaa-4ccf-858f-1c677db98aab/main-image.jpeg</image:loc>
      <image:title>Plays of Aeschylus - Eumenides Summary - Thumbnail Image Link: https://www.metmuseum.org/art/collection/search/250949</image:title>
      <image:caption>Fragment of a terracotta calyx-krater (mixing bowl) Attributed to the Black Fury Painter ca. 400–380 BCE On view at The Met Fifth Avenue in Gallery 161 The ransom of Hector and Apollo with a goddess ”The larger fragment shows Priam, king of Troy, kneeling as he asks the Greek hero Achilles for the corpse of his son Hector. Behind Priam stands Hermes, the messenger god identifiable by his winged boots. The male figure at the far left is probably an attendant of Priam. The second fragment shows Apollo, god of music, holding his kithara, a lyre used in performance. The seated female before him may be his sister Artemis. The painting is exceptional for the rich detail and polychromy as well as the characterization of the distraught Priam.” (Copied from the Met Museum website).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/suppliants-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/29647b01-b94b-40b9-a4bc-aeff6c9f2987/main-image.jpeg</image:loc>
      <image:title>Plays of Aeschylus - Suppliants Summary - Thumbnail Image Link: https://www.metmuseum.org/art/collection/search/248802</image:title>
      <image:caption>Marble disk with two theater masks in relief Roman 3rd quarter of 1st century CE On view at The Met Fifth Avenue in Gallery 162 “Marble disks known as oscilla decorated the peristyles of Roman villas. Most were carved on both sides with images related to the world of Dionysus and were designed to hang freely between the columns that surrounded interior gardens.” (Copied from the Met Museum Website).</image:caption>
    </image:image>
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  <url>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/d0e0b947-1c41-4def-a5a7-7c149f3e61bf/main-image.jpeg</image:loc>
      <image:title>Plays of Aeschylus - Persians Summary - Thumbnail Image: https://www.metmuseum.org/art/collection/search/257407</image:title>
      <image:caption>Two terracotta roundels with theatrical masks Greek 1st century BCE On view at The Met Fifth Avenue in Gallery 161 “A pair of terracotta roundels with theater masks.” (Copied from Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/prometheus-bound-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/f9478314-19f8-4965-8b21-b44c8f4d20b5/main-image.jpeg</image:loc>
      <image:title>Plays of Aeschylus - Prometheus Bound Summary - Thumbnail Image: https://www.metmuseum.org/art/collection/search/247074</image:title>
      <image:caption>Bronze mirror Etruscan early 3rd century BCEOn view at The Met Fifth Avenue in Gallery 170 Prometheus Unbound ”All the figures are identified by inscriptions engraved on the rim. They read, from left to right, Esplace (Latin: Asclepius), Prumathe (Latin: Prometheus), Menrva (Latin: Minerva), and Hercle (Latin: Hercules). This is one of only three preserved depictions of the story of Prometheus Unbound in Etruscan art. In addition, it is the only certain depiction of Asclepius, the god of healing, in Etruscan art.” (Copied from the Met Museum website).</image:caption>
    </image:image>
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    <lastmod>2024-02-06</lastmod>
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      <image:title>Plays of Aeschylus - Seven Against Thebes Summary - Thumbnail Image: https://www.metmuseum.org/art/collection/search/257407</image:title>
      <image:caption>Two terracotta roundels with theatrical masks Greek 1st century BCE On view at The Met Fifth Avenue in Gallery 161 “A pair of terracotta roundels with theater masks.” (Copied from the Met Museum website.)</image:caption>
    </image:image>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/thebes</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/iphigenia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/io</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/salamis</loc>
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    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/greek+mythology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/persian+wars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/antigone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/greek+gods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/apollo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/seven+against+thebes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/zeus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/persians</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/kratos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/argos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/greek+theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/athena</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/the+eumenides</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/eteocles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/greek+theater</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/classics+summarised%3A+prometheus+bound</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/classics+summarised%3A+seven+against+thebes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/clytemnestra</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/Persians+by+aeschylus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/ismene</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/Agamemnon+summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/trojan+war</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/prometheus+bound+summary</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/prometheus+bound</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/prometheus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/troy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/ancient+theatre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/greek+tragedy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/mycenae</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/classics+summarised%3A+persians</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/classics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/egypt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/the+furies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/classics+summarised%3A+the+suppliants</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/classics+summarised%3A+libation+bearers</loc>
    <changefreq>monthly</changefreq>
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  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/xerxes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/libation+bearers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/suppliant+women</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/aeschylus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/classics+summarised%3A+agamemnon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/atossa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/Persians+summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/bia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/aeschylus/tag/greek+myth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/the-argonautica-apollonius-of-rhodes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-06-28</lastmod>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/the-argonautica-apollonius-of-rhodes/book-1-summary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/89f0aa46-8ddc-41e6-89c8-d1a9c221bc8c/book+1.jpeg</image:loc>
      <image:title>Argonautica - Book 1: Jason Leaves Greece To Retrieve The Golden Fleece - Thumbnail Image: https://www.metmuseum.org/art/collection/search/254894</image:title>
      <image:caption>Terracotta kylix: eye-cup (drinking cup) Greek, Attic ca. 520 BCE On view at The Met Fifth Avenue in Gallery 155 ”This is one of a few Attic cups with a so-called Chalcidizing foot that is characteristic of black-figure cups made by Greek potters in southern Italy. Though the question of priority has been much debated, the Attic examples are probably the earlier ones. The motif of ships occurs particularly on kraters (bowls for mixing wine and water) and kylikes during the late sixth century B.C. Analogies between sailing and the symposium (drinking party) appear in literature. Indeed, the effect of ships circumnavigating a drinking vessel full of wine must have been intoxicating in itself.” (Copied from the Met Museum website)</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2024-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/fa3effb6-3979-4a5f-9250-a87fc06c42ce/book+2.jpeg</image:loc>
      <image:title>Argonautica - Book 2: The Argonauts Meet Phineus Who Tells Them How To Overcome The Journey Ahead - Thumbnail Image: https://www.metmuseum.org/art/collection/search/240098</image:title>
      <image:caption>Terracotta jug Cypriot ca. 750–600 BCE “Ships provided the link between Cyprus and the surrounding world, and the island was renowned for its shipbuilding. The vessel here is clearly provided with a mast, a sail shown furled, and a pair of steering oars. Of particular interest is the bird's head ornamenting the stern. This feature seems to have originated in the Aegean during the prehistoric period, and it survived well into the first millennium B.C. We do not know if the ship is Cypriot or foreign.” (Copied from Met Museum website).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.moaninc.co.uk/the-argonautica-apollonius-of-rhodes/book-3-summary</loc>
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    <lastmod>2024-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/b4ef0289-4d8c-4e8f-9adc-7a6c70e2dc32/Argo+3.jpeg</image:loc>
      <image:title>Argonautica - Book 3: Medea Ensures That Jason Is Successful In His Task - Thumbnail Image: https://www.metmuseum.org/art/collection/search/251419</image:title>
      <image:caption>Marble relief fragment with the head of Medea Roman 1st–2nd century CE On view at The Met Fifth Avenue in Gallery 156 Copy of a Greek marble relief of ca. 420–410 B.C. ”This head is from a well-known relief that depicts the witch Medea and the two daughters of Pelias, king of Iolkos, in Thessaly. Medea tricked them into killing and boiling their father in hopes of rejuvenating him, and the scene shows them at a cauldron about to commit the terrible act. The original work was one of four reliefs that probably decorated the parapet surrounding the Altar of the Twelve Gods in the Athenian Agora.” (Copied from the Met Museum website).</image:caption>
    </image:image>
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  <url>
    <loc>https://www.moaninc.co.uk/the-argonautica-apollonius-of-rhodes/book-4-summary</loc>
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    <priority>0.5</priority>
    <lastmod>2024-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fe39685b160d8346efd689c/c670c691-cdd5-409d-a422-92531421df77/Jason+4.jpeg</image:loc>
      <image:title>Argonautica - Book 4: Jason, Medea &amp;amp; The Argonauts Finally Make It Home - Thumbnail Image: https://www.metmuseum.org/art/collection/search/253427</image:title>
      <image:caption>Terracotta column-krater (bowl for mixing wine and water) Attributed to the Orchard Painter ca. 470–460 BCE On view at The Met Fifth Avenue in Gallery 156 ”Jason led the Argonauts, a band of adventurers who set out on the ship Argo to steal the magical golden fleece of a ram, which was preserved in Kolchis on the Black Sea. With the help of the gods and the sorceress Medea, Jason was able to take the fleece from a grove protected by a dragon. Here, with Athena beside him, he reaches for the fleece. A companion prepares to board the ship. The basis of the legend of the Golden Fleece is probably the ancient practice of extracting alluvial gold by causing the deposits in a stream to wash over a fleece, thereby catching the gold-bearing material in the curly pelt.” (Copied from Met Museum website).</image:caption>
    </image:image>
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  <url>
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    <changefreq>monthly</changefreq>
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  <url>
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  <url>
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    <lastmod>2026-03-02</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-03-13</lastmod>
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